Accord mineur=tristesse : pourquoi ?
pluton.
Messages postés
597
Date d'inscription
dimanche 4 octobre 2009
Statut
Membre
Dernière intervention
29 avril 2011
-
Modifié par pluton. le 29/04/2011 à 23:45
willimek - 20 juil. 2016 à 12:10
willimek - 20 juil. 2016 à 12:10
A voir également:
- Accord mineur=tristesse : pourquoi ?
- Festival mineur ✓ - Forum Loisirs / Divertissements
- Jeu le mineur - Télécharger - Puzzle & Réflexion
- Concert mineur - Forum Loisirs / Divertissements
- Mineur nude - Forum Vos droits sur internet
- Photo de moi sur facebook sans mon accord - Forum Facebook
2 réponses
dsy73
Messages postés
9252
Date d'inscription
dimanche 22 août 2010
Statut
Contributeur
Dernière intervention
23 octobre 2020
2 476
Modifié par dsy73 le 1/05/2011 à 11:19
Modifié par dsy73 le 1/05/2011 à 11:19
Pour être plus précis, on parle de tonalité majeure/mineure (il est en existe d'autres ).
La raison est peut-être parce que les distances (intervalles) entre les notes d'une gamme mineure sont plus courtes. Mais une musique en tonalité mineure n'est pas forcément triste, regarde du coté des musiques tziganes.
Plus de détail dans cet article :
http://www.musiclodge.fr/article-la-tristesse-du-mineur-37419635.html
La raison est peut-être parce que les distances (intervalles) entre les notes d'une gamme mineure sont plus courtes. Mais une musique en tonalité mineure n'est pas forcément triste, regarde du coté des musiques tziganes.
Plus de détail dans cet article :
http://www.musiclodge.fr/article-la-tristesse-du-mineur-37419635.html
The Theory of Musical Equilibration states that in contrast to previous hypotheses, music does not directly describe emotions: instead, it evokes processes of will which the listener identifies with.
A major chord is something we generally identify with the message, “I want to!”. The experience of listening to a minor chord can be compared to the message conveyed when someone says, "No more." If someone were to say the words "no more" slowly and quietly, they would create the impression of being sad, whereas if they were to scream it quickly and loudly, they would be come across as furious. This distinction also applies for the emotional character of a minor chord: if a minor harmony is repeated faster and at greater volume, its sad nature appears to have suddenly turned into fury.
The Theory of Musical Equilibration applies this principle as it constructs a system which outlines and explains the emotional nature of musical harmonies, for example why a diminished chord is well-suited as the score for film scenes involving fear, or how an augmented chord can convey amazement and astonishment. You can get more information on the link Journal of Psychology & Psychotherapy or on the link Music and Emotions .
Daniela Willimek, pianist, Karlsruhe University of Music, Germany
Bernd Willimek, musictheorist
A major chord is something we generally identify with the message, “I want to!”. The experience of listening to a minor chord can be compared to the message conveyed when someone says, "No more." If someone were to say the words "no more" slowly and quietly, they would create the impression of being sad, whereas if they were to scream it quickly and loudly, they would be come across as furious. This distinction also applies for the emotional character of a minor chord: if a minor harmony is repeated faster and at greater volume, its sad nature appears to have suddenly turned into fury.
The Theory of Musical Equilibration applies this principle as it constructs a system which outlines and explains the emotional nature of musical harmonies, for example why a diminished chord is well-suited as the score for film scenes involving fear, or how an augmented chord can convey amazement and astonishment. You can get more information on the link Journal of Psychology & Psychotherapy or on the link Music and Emotions .
Daniela Willimek, pianist, Karlsruhe University of Music, Germany
Bernd Willimek, musictheorist
