How many pixels do you need for good-quality photos?
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pinkanenette
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Rien123 -
Rien123 -
Hello,
I would like to buy a digital camera, but I would like to know from how many pixels we can get beautiful, high-quality photos, as I already have one with 5 megapixels and the pictures are really not great. So, from how many megapixels do the photos really become beautiful and sharp? Thank you in advance.
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I would like to buy a digital camera, but I would like to know from how many pixels we can get beautiful, high-quality photos, as I already have one with 5 megapixels and the pictures are really not great. So, from how many megapixels do the photos really become beautiful and sharp? Thank you in advance.
When there’s a will, there’s a way! Configuration: Windows Vista Internet Explorer 7.0
11 answers
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Hello
The quality of a photo depends not only on the number of pixels but also, equally, on the quality of the lens and the color management of the software that drives the camera.
We talk about "photo quality" for a print of 10 x 13 cm from 2 million pixels.
I can’t emphasize enough: prefer a brand that has a long-standing reputation in photography, like Canon, Nikon, Kodak, Olympus, or Pentax.
These digital cameras will have a good lens, good ergonomics, well-designed menus, etc.
HP or Acer make very good computers but lack experience in photography, just as Panasonic makes good TV and video equipment and Sony excels in Hi-Fi (despite having bought Minolta)! BUT NOT IN PHOTOGRAPHY!
I develop 2000 digital photos a day... I’m well-positioned to see the differences.
There's also one point that should not be forgotten... unfortunately, digital shooting does not tolerate any setting errors at all... much like when we used to shoot slides. The light measurement must be precisely adapted to the subject. A little underexposed and noise appears, a little overexposed and everything looks washed out! (even with a high-end DSLR... yes, really)
A problem that film no longer faces (this is called "exposure latitude"), as it can handle an error of + or - 3 stops. (In a disposable camera, there's only one setting... and it works, almost, in all weather!)
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It's better to expect the predictable than to be surprised by the unexpected.-
Edit: I hadn't seen the post date "2008". SONY was already making good sensors in 2008.
You are REALLY talking nonsense! (a bit provocative, I admit)
SONY sensors are among the best at the moment, in both photo and video. I thank SONY for its excellent 16 Mp sensor that equips my PENTAX K-5!!! And also the NIKON D7000!! The SONY NEX are pretty good too! SONY is a major player in today's photography! Even if I will certainly never buy their cameras, for various reasons, they make very good sensors.
Recommending Olympus is a bit limited, given the very limited choice of lenses and accessories: it should be chosen after comparing and reflecting deeply!
"There is also a point that should not be forgotten... unfortunately, digital shooting absolutely does not tolerate any adjustment errors... a bit like when, back in the day, we used to shoot slides."
Digital is not limited to JPEG, and thankfully!!!!
I completely disagree. When I see what I can recover thanks to RAW.
White balance, exposure, sharpness, contrast, etc., and especially problems of exposure uniformity that are incredibly easy to fix in post-processing. Do you even know what RAW is???
"The light measurement must be precisely adapted to the subject. A little underexposed and noise appears, a little overexposed and everything is flat! (even with a big brand reflex... yes, indeed)"
In JPEG, I agree, however, JPEG should not be possible on reflex cameras, or only as a backup.
Using your reflex camera in JPEG is like using your Ferrari in 2nd gear. It's a waste!!!
Fortunately, I'm not listening to you, as the number of photos that seemed very dark or way too bright in the preview, and which come out very well and almost noise-free thanks to post-processing.
For photos that are really messed up (it happens even to the best), it's possible to try an artistic effect (black and white, blurred, etc.) to give the photo some interest.
Moreover, I have quite an impressive dynamic range that makes me much less sensitive to backlighting than with my old digital camera. Thank you for the 14-bit RAW with its 4400 billion colors. YES, you read that right. JPEG only has 16 million colors.
Learn about all the possibilities of digital reflex cameras, you will be surprised.
To those who are reading me and have RAW mode on their camera: try it, learn to process it, and you will say to yourself: "why didn't I do this before."
Digital still offers quite an interesting ease of processing for those who know how to use it. Today's reflex cameras have progressed a lot. But beware of sensors with too many pixels (e.g., Nikon D3200) with 24 Mp for an APS-C, for me, that's too much.
Almost no interest for an amateur (D3200 = amateur). An amateur prints in 2m wide, that's obvious!
Very constraining in terms of processing and storage.
Minimal gain or even loss compared to 16 Mp (depending on the situations). Choose wisely for those who will make good use of it. -
Hi
you remind me of a troll lurking here who never understood anything about bits or pixels and keeps bothering us with his raw
well, I have a bigger one than yours
2.5 - CMYK color mode: Since computer screens can only display RGB,
Photoshop separates CMYK images into 4 layers (Cyan, Magenta, Yellow, and Black where each color
is expressed in percentage) and converts everything to RGB for screen display. However, the file
actually has 4 distinct layers.
- With 8-bit per layer CMYK encoding:
Each layer uses 8 bits (so 256 possible shades): 8 bits for Cyan, 8 bits for Magenta,
8 bits for Yellow, and 8 bits for Black. So, 4 x 8 bits = 32 bits used in total.
=> 256 x 256 x 256 x 256 = 232= 4 billion 4 billion color shades are possible!
- With 16-bit per layer CMYK encoding:
Each layer uses double, or 16 bits! (65535 shades). 3 x 16 = 64 bits used in total.
=> 65535 x 65535 x 65535 x 65535 = 248= 18446744073709551616 color shades are
possible!
maybe one of the advantages of jpeg over raw is that it takes 10 to 15 times less space on the hard drive
for a difference almost invisible to the naked eye at 100% quality...
and it is directly printable and viewable on any PC
for the 16 million colors who cares, since neither you nor I nor any man can discern a quarter of them...
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